Just a reminder for out-of-towners attending the Claim Your Story Writing Conference on April 12th in Ashland, Oregon : Friday, March 28 is the last day to receive a discounted hotel stay at the lovely Lithia Springs Resort. Details for this conference are here. Registration, however, is still open. Stay tuned for more updates from […]
Read the rest of this entry »Archive for March, 2014
Spring newsletter was emailed
Hello there, The Spring Writing Life newsletter was emailed this week,.. If you did not receive it please contact me at jessicapage(at)spiritone (dot) com. My email was giving me fits so I will be switching to MailChimp or a new program. My article was the second part of Haunted which is about using back story […]
Read the rest of this entry »the power of language
“Words are substance strange. Speak one and the air ripples into another’s ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear’s labyrinth into a sense that is no longer the nerve’s realm. The written word unfolds behind the eye into the world, world’s […]
Read the rest of this entry »“I write because I have an idea I want to get out….Writing it feels better, and if what I write influences anyone, that’s unexpected and great.” Michele Weldon
Read the rest of this entry »Erle Stanley Gardner’s method
Erle Stanley Gardner on writing
Read the rest of this entry »Quote from Amy Bloom
I think the point of every sentence, every detail, factual or imagined, and every line of dialogue is to illuminate character and advance the story. Research has been, for me, a reassuring and intriguing line of luminarias. ~ Amy Bloom
Read the rest of this entry »Welcome Readers
from my former blog The Writing Life Too. If you’d like to look through the archives you’ll find it here.
Read the rest of this entry »Quick Take: Introduce your Antagonist with Flair
When first introducing your antagonist in the story beware of bringing him or her onto the stage as passive or low key. Now, it’s true that some antagonists are out to fool the protagonist from the get-go, but his or her true nature needs to be hinted at. Or the antagonist’s agenda can be […]
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