Word by Word

Practical insights for writers from Jessica P Morrell

Words are Powerful

Written By: Jessica Morrell - Jan• 11•21

“But words are things, and a small drop of ink, falling, like dew, upon a thought produces that which thousands, perhaps millions think”~ Lord Bryron

Give Sorrow Words II

Written By: Jessica Morrell - Jan• 10•21

The fog has lifted and a pale sky revealed, the tall firs that ring the neighborhood still. Looking out it seems as if the world is holding its breath.

I’ve written here before about following Shakespeare’s  advice in Macbeth to, “Give sorrow words; the grief that does not speak whispers the o’erfraught heart and bids it break.” If ever there was a week to break our hearts we’ve just trudged through it.

Eyes glued to images of mayhem, violence, insurrection, lunacy. We’ve heard the lies, the gaslighting, the excuses, the demands. We saw the noose.  The marauding members of our military. Elected officials joining the throng. The Nazi symbols. The Confederate flag marched down the corridors of OUR Capital.

We’ve watched and heard with dread the shrill, unleashed madness in radicalized, far-right followers.

All seemed so inevitable, didn’t it? As if we’ve been long expecting this. As if we’ve been holding our collective breaths.

But when the TV is off, your head on your pillow, or you’re out walking your dog, what is your body whispering? Can you put words to that clenched knot in your gut?  Where does choking rage lodge in your body? Where is your sorrow housed or has it overtaken you at times?  How does your throat feel?

Write from your body.

Are you feeling strung out? Blurry? Limbs weighted down? Stirred up beyond reason?

Write from your body.

Which particular images and sounds most set your heart stampeding in your chest?

Write from your heart.

Because writers need to use all parts of life to tell their stories. Use the painful rawness of your emotions, the map of your body. Give sorrow words. Write them down. Day after harrowing or difficult day.  Loan them to your fictional characters. Track them for a memoir or essay. Store them in a place you can find them again. Because emotions such as these must be shared.

Meanwhile, please help instill hope in children whenever you spend time with them.

Keep writing, keep dreaming, keep finding wonder,  have heart

Routine, be it ever so humble…

Written By: Jessica Morrell - Jan• 04•21

There’s  often gloom outside my windows as I sit here lately, punctuated with storms and downpours. Sun breaks do occur, but mostly I’m grateful for this infernal wet after last year’s droughts and too-close-for-comfort wildfires.

And these smudgy skies are good for reflection and planning. Now that the holidays are over I’ve been shoring up my routines and habits. Like many people, the pandemic threw off  me off balance.  I found myself exhausted, wooly-headed, and gripped with bouts of lethargy. Distracted and resentful that a trip to the grocery store was fraught with life-threatening danger.

Now, I don’t have kids at home squinting over laptops and emptying the refrigerator. I also don’t live with annoying housemates, nor have I been suddenly cut off from work buddies since I’ve worked at home for years. But in the Before Times I lived among fictional dystopian scenarios, not living through actual ones. This particular dystopian reality has shaken me and sometimes isolation is chokingly real. As the pandemic death toll climbs and new strains are morphing, I’m venturing out less and less often. Sure I text with my besties, but I’m also taking part in fewer live conversations and actual gatherings. Did I mention it’s been raining a lot?

Which means I’m rethinking things so I don’t lose connections to people who mean a lot to me. Which means I cannot drift, waste time, or ruminate too much on sad news and wretched circumstances.  Which means I cannot spend hours doomscrolling or switching on CSPAN or newscasts, agitated and worrying about might be.

Passionate about politics for decades, this whole political mess in Washington has been a distraction beyond description. On days when it seems more theater than reality I can scarce turn away. On days when it seems democracy itself is on the line, I’m bedeviled and pissed off. I follow House votes, Senate floor arguments,  committee hearings, pundits pontificating, historians explaining, Justice Department machinations,  protests growing shriller, and study reporting,  political columnists, newsfeeds, Twitter feeds, voting lines, and lawsuits. The list goes on and my inbox runneth over. The drama, the stakes, the ire all draw me in like a cartoon magnet until too often I look up guiltily to acknowledge another hour has vanished.

While smugly informed, gentle reader, you might recognize the results were chronic stress. Making me jittery and struggling to concentrate.

Too often missing the poetry of everyday life, including its wonders and tiny miracles.

Enter routines and habits to the rescue. Routines are a lifeline. Scaffolding. I’ve written about it here before. I’m starting small on re-upping former habits because small successes are easy to keep repeating, laying the ground for bigger accomplishments. For example, for some odd reason I stopped wearing earrings. It doesn’t seem like much, but I love earrings, own many pairs, some dear to me. So I’m wearing earrings as I have for years.

This might sound trivial, but this bitsy practice still shifts energy,  gives me a pick-me-up.

My life unspools best when my surroundings are orderly. Since childhood I’ve made my bed every morning. I vacuum regularly, give the house a good cleaning every season, washing curtains, moving furniture to vacuum behind, cleaning windows. My Midwestern ancestors were good housefraus, lives structured around meal making, housework, and laundry. Their houses smelling of lemon Pledge and baking bread. Despite this upbringing and spending years in restaurant kitchens, I’ve also fallen into a wee bad habit of abandoning dirty or greasy pans to soak in the sink. Sometimes a day or two passes and I ignore them or guiltily replenish the sudsy water from time to time. I hadn’t realized how much I dislike scrubbing pans until my energy was depleted. So I’m no longer allowing pans to fester no matter the elbow grease required.

As long as I’m confessing, I’m also removing clothes from the dryer right after it jingles merrily. Because I’ve been ignoring it, though I did step into the laundry room and push the button to send the clothes round for another fluff. This too might sound trivial, but I’ve noticed that procrastination leads to more slacking. Mail and recycling piles up. Clothes and items to be donated mound on the only chair in my bedroom. Or I end up with an office cluttered with papers and detritus. Which is why I’m starting small.

My bedtime routine that begins with turning down the heat and checking the locks and ends in bed with a book is a comforting anchor to end my days, so now I’m homing in on my mornings. For years I woke at dawn and wrote first thing until about 11, then showered and took a break. But my sleep habits these days are erratic, my editing projects demanding, and the aforementioned obsessive news consumption highjack my mornings. Thus, I’m avoiding my  phone and iPad first thing. Leaving the TV off.  Writing before editing. It’s blissful.

Because I’m re-establishing structure throughout the day. Foundations. Sanity-producing order. Which leads to productivity.

I’ll report back here as I rebuild my scaffolding, limit my doomscrolling, and wrest back my time for more writing. Because this all has to do with peace within and accomplishment. And I’ve got some fabulous, positive writing techniques to share, so stay tuned.

What I’m reading: Alison Luterman’s essay Fire All Around in the January issue of The Sun.

Keep writing, keep dreaming, have heart

Write a new story in 2021

Written By: Jessica Morrell - Jan• 01•21

2020 was a cruel, exhausting, nightmarish, wrung-out, surreal shambles of a year. So much to bear, grieve, and confront, sometimes with heart-hammering fear. So many adjustments to make amid an onslaught of shocking death tolls and Biblical plagues including swarmclouds of locusts.  In the West the wildfire damage and scars have brutally changed the landscape and ruined lives. Black and brown citizens are still being murdered by police.  So much loneliness and aching for those we could not spend time with.

But here we are at the beginning of another January. Working remotely and wearing masks and waiting for our vaccines. Wary yet clinging to hope.

Whatever you wrote or did not write, lullaby yourself because whatever you’ve chalked under 2020 is okay. And a do-over is possible.

If you wrote regularly you have much to be proud of.

If you finished a big project or  took part in NaNoWriMo you’re a warrior.

Not so much accomplished? Give yourself gentle pass.

Fallow fields can still grow.

You made it through hard times. You witnessed. You managed by innovating and reinventing and caring. You dug deep into your own depths of resilience. Hugging your own empty arms

Turn the page and write a new story in 2021.

Even though large swaths of our future is unknowable, we can still  make doable plans, choose attainable goals.

Mine are simple. Do the hard things. Seek out silver linings. Keep appreciating small wonders. Celebrate what deserves celebrating.  Love deeply. Read more poetry. Support writers, musicians, and artists.

Experiment with and invent new recipes. Buy carryout food from locally-owned restaurants.

Practice kindness and grace. Use my voice. Notice the world through a writer’s eyes. Gather words. Capture thoughts onto the page. Write letters.

Hike new paths. Breathe in the Pacific.  Meet new trees. Grow new flower varieties. As I said, doable.

If you still need a New Year’s boost, here’s a performance by poet Amanda Gorman, “The Miracle of Morning.” She’s a former Youth Poet Laureate who published her first poetry collection at 16.

Keep dreaming, keep bearing witness, have heart.

And please wear a mask.

January

Written By: Jessica Morrell - Jan• 01•21

And so 2020 ends…

Written By: Jessica Morrell - Jan• 01•21

I hope you have many reasons to celebrate a new year. I hope you have writing projects that challenge you, friends who cheer you,  and a pile of thick books that will last through this next season.

Thank you to anyone who has stopped by. There’s been heartbreak and upheaval in my life this past year, but like you, I believe in truth, and the power of stories to connect and heal us.

Let’s begin anew. And nurture the ‘invincible summer’ within.

 

 

Stalk your Calling

Written By: Jessica Morrell - Dec• 10•20

We can live any way we want. People take vows of poverty, chastity, and obedience–even of silence–by choice. The thing is to stalk your calling in a certain skilled and supple way, to locate the most tender and live spot and plug into that pulse. This is yielding, not fighting. ~ Annie Dillard, Live Like Weasels 

December

Written By: Jessica Morrell - Dec• 01•20

“Gratitude is the memory of the heart.” ~ Jean-Baptiste Massieu

Written By: Jessica Morrell - Nov• 25•20

Never has there been a more important time, year, season to focus on gratitude and extend it whenever possible.

Wishing all a day of peace, hope, and thankfulness.

 

Vincent van Gogh – The Harvest – Van Gogh Museum

From an Editor’s Desk: Follow Their Eyes

Written By: Jessica Morrell - Nov• 24•20

With the holidays upon us, I’m especially grateful  for all the good things and people in my life, the small joys that bring so much simple pleasure. A walk with a friend, an engrossing novel, spring blooms, autumn leaves, watching seasons change, the first sip of tea in the morning, dinner simmering in the kitchen.

This space is for writers searching for fresh ideas to improve their craft.  I teach topics I believe can be helpful to writers at all stages and share issues I  notice in writers’ manuscripts. I’m generally mentioning habits and failed techniques that sink a story, but of course, I work with writers who demonstrate brilliance, imagination, and a thoughtful approach to storytelling.

But into every writer’s life problems rear their snaggly heads.  At times we lapse into dullness, we lean on crutch words, we make typos and gaffs. Our plots wander, our characters confuse, and our endings fall flat. Because writing is hard. And writers are at a natural disadvantage  because we use computers and the familiarity of our words on the screen breeds a kind of blindness. Sometimes the more often you read your own words, the less you’re able to identify their strengths and weaknesses.

With that in mind, I want to call your attention to a simple technique in writing fiction: using characters’ eyes to reveal emotion and  meaning. This is a reminder to  pay more attention to how your characters look, stare, and express emotions. If eyes are the windows to the soul, then match your characters’ expressions  to the exact emotion or reaction needed. Here are suggestions for getting it right.

  1. Figure out your crutch phrases and go-to moves. A few that appear too often  are eyes widening, teary eyed, blank stares,  blurred vision, stared straight ahead, watched like a hawk, she looked him straight in the eye, eyes darting, piercing stares, blinking back tears, eyes narrowing, smoldering looks, deep-set eyes, and steely-eyed. There are also cliched colors like baby blue, emerald, and chocolate.
  2. Make certain that the character’s eyes are appropriate to the scene. Too often characters gaze down at the floor or at their hands. Now, these gestures typically indicate discomfort or avoidance, but sometimes readers just sow them into a scene when that’s not the intended effect.
  3. Don’t feature all your characters  reacting the same way.
  4. Avoid strangeness and viewpoint slips such as His eyes smiled at me or Her face fought against tears.
  5. Ditch the hobbit staring. Hobbit staring is a term I learned from a movie buff friend. He coined it from the Lord of the Rings films when the camera lingers too long on stares between two characters as if that demonstrates some deep meaning or message. Because often it does not. Then the filmmakers apply it to other staring contests, versus, say, heartfelt dialogue that could be more direct and meaningful.
  6. If you’ve watched the delightful and deservedly popular series The Queens Gambit you’ll notice characters staring at each other a lot. Because it’s appropriate. Because they’re seated a few feet across from each other in earnest and sometimes excruciating combat.  Because they’re often trying to psych each other out.
  7.  Question every tear. I sometimes ask writers to count every scene where a character ends up weeping, wet-eyed, or with tears leaking down wet cheeks. This request comes from noticing how weeping and sobbing are overused resulting in melodrama, excess sentimentality, or depicting a character as too emotional for her own good. And the good of the story. Too much weeping and the story gets soggy and dull. And please, just forget single tears. Please.
  8.  Mix it up. Often a writer’s most used crutch words are look and see. However, in real life people gape, squint, spot, gander, gawk, ogle, stare, gaze, study, inspect, scan, scout, spy, study, inspect, notice, note,  peek, peep, peer, and rubberneck.
  9. Expand  your repertoire of descriptions: haunting, beckoning, steady, stormy, mocking, mournful, lifeless, sultry, goopy, teasing, pitiless, glassy.
  10. Stir in a little weirdness. Many people have mismatched eyes. Then there are droopy eyes, people with different colored eyes, bloodshot eyes, Rasputin eyes, lazy eyes, buggy eyes, one working eye, wandering eyes, piggy and close-set eyes.
  11.  Study how and when successful authors use close-ups. If you never focus the camera lens on a character’s face during an emotionally-charged scene, then readers cannot enter the moment and feel what the characters are feeling.
  12. Study actors. Notice how their eyelids raise a bit to show interest or droop to indicate the lack of interest. Note how they leer, seduce, flash anger, hide their true feelings. If you’re serious about writing your job for the rest of your life is to notice subtext. And that often begins with the eyes.