Word by Word

Practical insights for writers from Jessica P Morrell

Advice from the brilliant Margaret Atwood

Written By: Jessica Morrell - Feb• 16•16

 When you are in the middle of a story it isn’t a margaretatwoodstory at all, but only a confusion, dark roaring, a blindness, a wreckage of shattered glass and splintered wood.It’s only afterwards that it becomes anything like a story at all. When you’re telling it, to yourself or to someone else. ~ Margaret Atwood

And her 10 Rules for Writing:

  1. Take a pencil to write with on aeroplanes. Pens leak. But if the pencil breaks, you can’t sharpen it on the plane, because you can’t take knives with you. Therefore: take two pencils.
  2. If both pencils break, you can do a rough sharpening job with a nail file of the metal or glass type.
  3. Take something to write on. Paper is good. In a pinch, pieces of wood or your arm will do.
  4. If you’re using a computer, always safeguard new text with a memory stick.
  5. Do back exercises. Pain is distracting.
  6. Hold the reader’s attention. (This is likely to work better if you can hold your own.) But you don’t know who the reader is, so it’s like shooting fish with a slingshot in the dark. What ­fascinates A will bore the pants off B.
  7. You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there’s no free lunch. Writing is work. It’s also gambling. You don’t get a pension plan. Other people can help you a bit, but ­essentially you’re on your own. ­Nobody is making you do this: you chose it, so don’t whine.
  8. You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up.
  9. Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page.
  10. Prayer might work. Or reading ­something else. Or a constant visualization of the holy grail that is the finished, published version of your resplendent book.

Keep writing, keep dreaming, have heart

Write first drafts on paper…

Written By: Jessica Morrell - Feb• 11•16

Karan Mahajan

“Write first drafts on paper. This cancels self-criticism immediately; unless you have truly ugly, banged-up handwriting, everything you write will be visually and stylistically unified by ink. Better still, in an age of Internet-rehab apps like Freedom and SelfControl, nothing approaches the uncluttered nondigital quiet of a page. Take confidence in the fact that much of our canon was composed on paper. But mostly, when you achieve a flow, you’re much less likely to break it on the page than on a screen—you’ll be less tempted to double backwards into revision, checking e-mail, opening a tab. I found this to be true when I wrote the first complete draft of my second novel, The Association of Small Bombs. For years I’d been struggling to make progress, only to lapse back into revision. The minute I committed to paper, the story ribboned forward, inventing itself. I had never felt anything like it.”

—Karan Mahajan, author of The Association of Small Bombs (Viking, 2016)

Quick take: Skip the “took a”

Written By: Jessica Morrell - Feb• 10•16

owlLike many editors I’ve collected my own gaggle of words and phrases that I find annoying. I can become curmudgeonly if I spot certain words in a manuscript, especially when they’re abused and appear over and over. Now, I realize that taste and preference are highly subjective and chances are I might stand alone on this  peeve, but writers you do not need to append “took a” and “take a”  to  verbs. As in:

Took a step

Took a bite/drink/sip/gulp/swallow

Took a breath

Took a swipe

People and characters can simply step, drink,sip, gulp, swallow, and breathe.

And by the way “took a deep breath” is probably the most abused cliche in writerdom.

Keep writing, keep dreaming, have heart and write in the active voice.

Join me at Comic Con February 21–the topic is villains

Written By: Jessica Morrell - Feb• 05•16

ConMediaImage_Portland2016_Enemy-2

Written By: Jessica Morrell - Feb• 04•16

needles & thread“As the pen rises from the page between words, so the walker’s feet rise and fall between paces, and as the deer continues to run as it bounds from the earth and the dolphin continues to swim even as it leaps again and again from the sea, so writing and wayfaring are continuous activities, a running stitch, a persistence of the same seam or stream.”
~ Robert Macfarlane, The Old Ways: A Journey on Foot

Join us in Portland on February 20

Written By: Jessica Morrell - Feb• 03•16

For

red colored pencil shaving, flower shapedWrite, Rewrite, Repeat

It’s a one-day conference jammed, and I mean jammed, with insights, tactics and genius ideas you can you use to catapult your writing career into a higher gear and greater visibility.

Fonda Lee author photoKeynote speaker is Fonda Lee. Martial artist, inventive author, whip-smart and savvy marketer. She’ll be talking about The Strategic Author. I can’t wait to hear what she has to say.

All the details are here. And it’s only $99 

What a bargain. Seriously.

 

Written By: Jessica Morrell - Feb• 02•16

old keys

And yet, words are the passkeys to our souls. Without them, we can’t really share the enormity of our lives. ~Diane Ackerman

 

February

Written By: Jessica Morrell - Feb• 01•16

river in snow

Thought for the day by David Bohm

Written By: Jessica Morrell - Jan• 21•16

red wall canyon“Between where you are now and where you’d like to be there’s a sort of barrier, or a chasm, and sometimes it’s a good idea to imagine that you’re already at the other side of that chasm, so that you can start on the unknown side.”
David Bohm

Quick Take: Search out the perfect objects to enhance storytelling

Written By: Jessica Morrell - Jan• 18•16

Book Thief reading to friendConsider weaving meaningful objects or possessions throughout your story. Then make certain these objects are repeated or reappear.  In Markus Zusak’s  The Book Thief there are books, the alphabet etched on the cellar walls,  and the beautiful accordion. The books and alphabet represent a whole world that opens up to Liesel when she learns to read,  her hunger for knowledge, her connection to her adopted father  Hans and the Buergermeister’s wife who daringly loans her books. The title reflects this–young Liesel was so desperate to learn to read that she grabbed a book that someone had dropped–a gravedigger’s handbook.  In one scene after a book burning ordered by the Nazis,  Liesel snatches a burning book from the pile and carries it home. The accordion is a sign of friendship and connection.

Objects can also serve to push events along in a story. The family’s situation turns downright dangerous with the arrival of Max Vandenburg, the fugitive son of a Jewish comrade who saved Hans’ life during WWI. Hans now owns the accordion.

On the other hand, as the story goes along, the symbols of the Nazi regime also infiltrate, permeate the story. The flag with its swastika–an ancient symbol that once meant well-being–the armbands worn to signify Jewish identity, the troops and their powerful machinery of war.

In Stephen Spielberg’s film  E.T. it’s the marigold plant.ET marigold and girl

In Lord of the Rings it’s the conch shell.

In Alice Hoffman’s latest novel The Marriage of Opposites the sea turtles come to shore every spring to lay their eggs and return to the sea. This also shows time passing and underlines the sense of magical realism and nature that permeate the story.

These items, or motifs, serve to connect the story, enhance themes, add subtext, and create emotional resonance. The objects can be static or can change such as the marigold thriving and wilting, and can also serve as sensory anchors in the story.

Keep writing, keep dreaming, have heart