Word by Word

Practical insights for writers from Jessica P Morrell

Words to Write By

Written By: Jessica Morrell - Dec• 14•13

Reading is everything. Reading makes me feel like I’ve accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it’s a way to make contact with reality after a day of making things up, and it’s a way of making contact with someone else’s imagination after a day that’s all too real. Reading is grist. Reading is bliss.” ~Norah Ephron

This column is written in the spirit of the late Norah Ephron. How can you not love a woman whose advice included use butter, wear a bikini when you’re 26, eat the last meal of your life today, and take notes because everything is copy? Obviously a practical woman we might want to emulate. So here goes:

Take your writing, but not yourself seriously.

Be real. Many writers end up with beige sentences devoid of personality. Readers want to hear the writer behind the words. If you’re naughty in real life, be naughty on the page. If you’re a serious sort, then find a way to make your seriousness palpable. In the case of fiction, the protagonist must be kick-ass original and fascinating.

Skip the unicorns and rivers of blood. This means do not, not write what has been written to death or is outdated.

Take your readers to unexpected places.

Be persnickety. About grammar, punctuation, voice, language, imagery.

Say something meaningful through your work.

Worry more about story and craft than getting published. Published comes after a long apprentice. If you plan on a short apprentice, then write short pieces.

Don’t chase trends because trends change. These days faster than in previous times.

Avoid scammers. The online world is teeming with them.

Voice is the easiest thing to screw up. No matter how hooky and enticing your opening, without an authentic voice, one the reader hears inside his head, the words will be empty, the scenes unfulfilled. Voice comes from practice and listening to words read out loud. It also comes from analyzing the voice in everything you read.

Finish.

Doubt is normal.

So is despising your finished project. Take it from me.

Forget about talent, nurture discipline.

Failure cannot wreck you. It can only teach. The hard way.

Write every chance you can. There is no surer way to succeed.

No one owes you anything. Not a review, blurb, sale, or their time. Especially their time.

Master the stages of revision.

Figure out your online presence. Are you online to meet other writers, make friends, sell books? If you’re only about selling you’ll soon bore online communities. Nothing duller than a self-published author who tweets 10 times a day various versions of “buy my book.” Instead cultivate actual friendships. Engage in conversations, inspire, make people laugh and think.

Don’t lug around dead, cannot-revive-with-an-army-of-paramedics stories. If a story just never comes together; if you cannot figure out an ending; if you’ve grown to truly loathe the project, pull the plug. It’s the merciful thing to do.

On the other hand, don’t blame writer’s block for your drawer stuffed with unfinished manuscripts. Writer’s block often comes from horrible things going on in your life—illness, death, divorce, children who are prone to being arrested—in other words, you are depressed and miserable and writing is the last thing that you want to engage in. Writing takes lots of energy and courage and if these are being used up by an ongoing crisis, recognize this and give yourself a break. The other main source of writer’s block stems from not learning how to outline. I know the ‘o’ word is a dirty one to some writers. I realize that some writers find their story only by writing it. However, the truth is that you can often outline—and by outline I mean crafting the opening, plot points and ending—your way out of stuckness.

Play nice. I’m borrowing this from Scottish author Nicola Morgan: “Always assume that those you are contacting will think you are the least important and most irritating thing that has happened all year. You may ultimately turn out to be the most wonderful author ever but you cannot force them to believe this yet. Essentially, you have interrupted them doing something which probably IS bringing an income and you must understand that, even if you are brilliant, they are more used to being contacted by idiots / nasty people / useless ignoramuses and they just think you are another one.”

So there you have it. Words to write by. Hope 2014 is productive and full of words and joy.

Making it in Changing Times Conference

Written By: Jessica Morrell - Dec• 03•13

January 25

Information is here.

Written By: Jessica Morrell - Dec• 03•13

“Use what you have, use what the world gives you. Use the first day of fall: bright flame before winter’s deadness; harvest; orange, gold, amber; cool nights and the smell of fire. Our tree-lined streets are set ablaze, our kitchens filled with the smells of nostalgia: apples bubbling into sauce, roasting squash, cinnamon, nutmeg, cider, warmth itself. The leaves as they spark into wild color just before they die are the world’s oldest performance art, and everything we see is celebrating one last violently hued hurrah before the black and white silence of winter.”
– Shauna Niequist
Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life

Making it in Changing Times 2014

Written By: Jessica Morrell - Nov• 21•13

Stay tuned for details about another stellar one-day conference.
Date: January 25
Where: Tabor Space, Portland, Oregon
Keynote speaker: Karen Karbo

Information: topnotch and designed to give writers an edge in a changing market.

Written By: Jessica Morrell - Oct• 26•13

Know your literary tradition, savor it, steal from it, but when you sit down to write, forget about worshiping greatness and fetishizing masterpieces.”
—Allegra Goodman

Written By: Jessica Morrell - Oct• 25•13

Who wants to become a writer? And why? Because it’s the answer to everything. … It’s the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower out of life, even if it’s a cactus.”
—Enid Bagnold

There are still spaces available for The Anchor Scenes Workshop

Written By: Jessica Morrell - Oct• 09•13

Deep Fiction: The Anchor Scenes

October 12, 2013
9:30 – 4:30 p.m.
Tabor Space 5441 S.E. Belmont, the Library
Portland, OR

The task of a novelist or memoirist is to tell a story so riveting that it will hold a reader’s attention for hundreds of pages. This requires intimate knowledge of the characters, their inner lives, and central dilemma. It also requires an understanding of plot; the sequence of events that take readers from beginning to end.
These events won’t hang together without a compelling structure or architecture that underlies the whole—the essential scenes that every story needs to create drive, tension, conflict, climax, and resolution. These must-have scenes in your story, especially the plot points and reversals, power stories forward.

The anchor scenes we’ll cover are: Inciting Incident, First Plot Point, Mid-point Reversal, Dark night of the Soul, The Point of No Return, Climax, and Resolution. We’ll discuss how they’re linked to protagonist’s character arc, how they’re emotionally charged, and build the plot. By the end of the workshop participants will have outlined these crucial scenes and know how change is the basis for scene writing. As part of the lecture we’ll be discussing the anchor scenes in The Hunger Games and the film Witness. Comprehensive handouts will be included and space is limited.

Claim Your Story Writing Conference

Written By: Jessica Morrell - Sep• 05•13

Claim Your Story Writing Conference
Lithia Springs Resort, Ashland, Oregon

October 19, 9-5
Whether you write fiction, essays, or memoir, there is an art to stringing together words to elicit an emotional response from your readers. The first annual Claim Your Story Writers Conference, October 19th at the Lithia Springs Resort in Ashland, centers around the idea that all good writing emerges when writers possess the heart of an artist and are willing to step up and tell their tale. This one-day event provides an opportunity to focus on the craft and breathe new life and color into your writing. Our aim is that writers produce work that is more vivid, true, and powerful than they’ve been able to produce before. Workshops will be taught by talented authors who are also distinguished writing teachers: Lidia Yuknavitch, Alissa Lukara, and Jessica Morrell.

You can find the complete schedule here: http://claimyourstory.com/claim-your-story-schedule/

Saturday’s keynote speaker will be Lidia Yuknavitch author of the acclaimed memoir The Chronology of Water, Dora A Headcase, and other collections and books. She will be speaking about The Worth of Risk.

The Lithia Springs Resort in Ashland is an exceptionally charming setting in a charming city. Conference attendees will be able to tour the gardens and enjoy the peaceful surroundings. Discount rates are available for conference attendees and include breakfast.

To register: Cost for the conference is $125 and includes a catered lunch and beverages. To register or for more information about the conference including the schedule, visit the conference website at http://claimyourstory.com Payments can be mailed to Jessica Morrell, P.O. Box 820141, Portland, OR 97282-1141. PayPal payments are also accepted.

Conference participants who will need hotel rooms are encouraged to reserve accommodations as soon as possible at http://www.lithiaspringsresort.com
The instructor’s websites are located at:
www.lidiayuknavitch.com
www.jessicamorrell.com
http://www.transformationalwriters.com

Jessica Morrell, the conference coordinator, is the author of six books along with the upcoming No Ordinary Days: the Seasons, Cycles, and Elements of Writing. She works as a developmental editor and is the founder of the Summer in Words Writing Conference in Cannon Beach, Oregon and Making it in Changing Times Writing Conference in Portland, Oregon.

It’s August….

Written By: Jessica Morrell - Aug• 27•13

          And the year is spinning away. Days are growing shorter and the glittered-up glories of summer are fading. If summer has weakened your writing practice or made you foot draggy; if no splendid hopes  keep you at your desk, take heart.  Forget all those writerly maxims and get back at it. Here’s how:

  •   Put writing first. Nothing replaces the sanctuary of a writing practice. The solace of knitting words to a page. Writing goals will never be accomplished if you write with leftover scraps of time and energy.
  •   Remember that difficulty and anxiety are normal.
  •   Don’t wait for inspiration, or a blast of energy, or a fresh idea, write anyway. Listen to that something inside of you that longs to be named, longs to be heard.
  •   Don’t give in to distractions.
  •   Associate with serious writers who have like goals.
  •   Take charge of your thinking.Your head is your domain and thoughts can turn into emotions, so guard against the subversive.
  • Keep going despite your moods. Write as if you write for a living, because no matter what you’re paid, you do.
  • Take breaks. Writing is hell on the body. Stretch before the cramps start, the neck or back aches.
  • When the going gets tough, take a vacation, not a bail out. Feel time melting in a new place; watch the night sky, tussle with kids, forget your worries.
  • Figure out what you really want and start living as if you already have it.
  • Experiment. When you’re stuck or procrastinating, try another medium. Haul out crayons, paints, collage materials, clay, and express your ideas. Draw a sketch of a character or thumb through decorating magazines and create a collage that represents the home and lifestyle of your wealthy, eccentric protagonist. Grab a camera and snap photos focusing your writer’s eye on the world. Go to the garden and plant flowers or bulbs or herbs. Or, slip into the kitchen and make a pot of soup or stew, bake a cake, experiment with a lasagna recipe. You might be surprised at how many ideas for your stories will begin simmering as you dabble in another medium.
  • When you return to your desk, as if you’re waking from a fever dream or fresh with morning clarity, stay focused. Work on one paragraph, one scene, and one project at a time during your writing session. While outlines or elaborate plans can be immensely helpful as a map for our projects, each day as you begin your writing, focus on a single goal for that day and don’t let the whole project crowd into your head. Often the enormity or complexity of a project can be intimidating.
  • Don’t scare yourself. Sure the marketplace is loud and crowded. Sure you’re a small player or burned out or too-often rejected. Sure there are days when writing feels like the corner of Bitter and Sweet. Write anyway. What else could you do that feels so right?
  • Ignore trivial worries. Don’t worry about trivial concerns—such as other people stealing your ideas, how to spend your book advance, and what outfit to wear on The Today Show.  Stop obsessing about copyright issues. Other writers are  worry that someone will make them change their words. Some writers are nitpicky perfectionists and tinker with every comma and adjective afraid to declare ‘the end’. Write first, then edit and polish what you’ve written, then worry about getting it published.
  • Conserve your writing energy. Don’t squander your creativity talking or fantasizing about your writing. Keep the details to yourself and write instead of gabbing about what you plan to write. Talking too much about you’re writing can dissipate its power. Or sometimes well-meaning friends or family will have so many suggestions that we get confused about the true direction of our work.
  • Just write.

Written By: Jessica Morrell - Jul• 25•13

 

“Start with a blank surface. It doesn’t have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but it’s true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can’t remember.”
 – Stephen King, Duma Key: A Novel