Word by Word

Practical insights for writers from Jessica P Morrell

Archive for the 'fiction techniques' Category

Brian Doyle on Voice & Truth

“I was learning a lot of times what people said was not at all what they meant….It was hard to learn all the languages spoken in our house. There was the loose limber American language that we all spoke, and then there was the riverine sinuous Irish language that the old people spoke when they […]

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Quick Take: Make your Crucible Hell-Hot

In fiction the cauldron or crucible is a setting or situation that forces characters to change or make difficult decisions; to face what they’d rather not face. I’ve written about cauldrons before and mentioned how they must be inescapable. Two powerful examples come to mind–the islands in Lord of the Rings and Jurassic Park. Let’s return […]

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Quick Take: Tough Choices

People are defined by their choices. This applies to poker players and politicians, world leaders and criminals, parents and coaches. Fictional characters are also defined by the choices they make. Choices start off a story because a character needs to respond to the inciting incident and first plot point. In Act two when the protagonist’s […]

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NaNoWriMo Hacks & a Bit of Tough Love

Thirty days has November and for thousands of writers around the globe, that means NaNoWriMo or National Writing Month, a giddy, exhausting yet exhilarating, marathon and  communal activity where writers jam on the page, producing a 50,000-word novel in a month. It teaches writers discipline, commitment, and how to survive on not much sleep. A […]

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Quick take: Take a cue from film directors

Fiction and memoir writers take a cue from film directors: In each moment and scene understand where you want to focus your reader’s attention. The director, and later the editors, have a distinct purpose for every shot, along with every detail, sound, color, tone, lighting, motif, subtext, and symbol.  Without knowing it, the audience is […]

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Just say no

Most of us could not hack the lives of fictional protagonists because everything they do and everywhere they turn, events are designed to shriek denials, thwart desire, and erect roadblocks. Plots and scenes are built on forces and characters that stand in their way, blocking something they desperately wants or needs, delaying gratification. The results […]

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Quick take: Turn down the lights

Setting is a powerful device for creating tension in fiction. When you’re planning scenes where danger lurks, here’s the trick:  turn down the lights. Link moonless skies, gray curtains of rain, or gloomy weather to a deathbed vigil, a battle scene, or harrowing journey. Force characters to travel down lonely, lawless stretches of road.  If […]

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If I could offer writers only one piece of advice…

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Start with the Tangible

I was corresponding with a client a few days ago about his opening paragraph. In it there was a sentence bloated with abstract terms that just sort of hunkered or sprawled flattened on the page. Instead of abstractions, here’s a foundation from where  you can begin most writing:  with the artifacts of everyday life. You […]

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Act one: Disturb the equilibrium

If you don’t understand the underpinnings of fiction, you’ll likely  suffer and bumble when you try to create it. Without some knowledge of the why, when and how things work, your story has little chance of success. Writing something as complicated as a novel without a plan is like building a house without an architectural […]

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