July
Quick Take: beware of thumbnail sketches
Avoid thumbnail sketches  or police blotter descriptions  whenever a new character steps into your book. (The suspect was a Latino male, 6 feet, medium build, scar on left cheek, tattoo of snake on right shoulder,  wearing black jacket, jeans and sneakers)This technique tends to feel contrived especially if used too often. A character doesn’t need to be described all at once, you can layer his or her appearance into the story in increments.  Here’s another example of piling it on: Allison, a 30-something,  5 foot 8 redhead, with heavily-mascaraed blue eyes and legs for days strolled into the restaurant her green eyes flashing. Her hair was shoulder-length, her figure striking, her fingernails painted a garish purple. She wore what looked like a real mink jacket over a tight, black dress and teetered on dangerously high heels. This is also direct characterization.
 Pretend that you’re walking into a room and seeing your character for the first time. What are your first impressions?  Can you feel the force of his or her personality? Does he or she remind you of  a celebrity? Someone you know? It’s not all about the specifics of appearances—some people arrive on the scene full of confidence, some are hesitant or nervous. Why? Some people stand erect, some slouch. Some have lovely voice qualities, some people bray. Some wear too much cologne, some smell of fresh air or machine oil.  Use clothes, setting, and possessions, including large possessions such as cars to reveal characters.
Give Sorrow Words
Give Sorrow Words
There was a shooting in a nearby high school yesterday. A student dead along with the shooter. Details are still sketchy, motives unknown. This follows shootings in Las Vegas the previous day with two police officers gunned down while they ate lunch, a felon in possession of weapons, a suicide pact.
Yesterday was bright, the sky an innocent and faraway blue. Flowers nodding everywhere. The deep greens of the city as restful as always. But, of course, it wasn’t an innocent day.
When I was growing up tragedies happened. Kids died. A boy with epilepsy drowned in the Wisconsin River when he and I were about seven. It was such a raw, hollow afternoon. The fire department arriving with a giant, ugly hook searching the depths of the wide, south-flowing river. Clusters of us on the shore, whispers and acknowledgment of the depths of water. Sun scorching down on us. A hush that lasted throughout the day even after supper when the sun melted.
My aunt’s boyfriend, a high school senior, a young man full of promise, killed on New Year’s Eve in a car accident. The next day gathering and tears. There was my aunt’s miscarriage. Another with a stillborn baby. Sorrow was no stranger, but it didn’t visit often. And it was often faraway as with the scarring assassination of President Kennedy. Besides the president’s murder, these tragedies didn’t touch us kids much, it was the adults that whispered. We were concerned with smaller matters, the neighbor kid who jumped off our porch and broke his arm; another scarred from burns in a gasoline explosion. And schools were never a crime scene.
Yesterday when I listened to the local news, students talked about how they’d been preparing for this day since middle school. How all the drills had paid off. Once in eighth grade I glanced out into the hallway just as our principal Mr. Kretchmeyer was about to press the fire alarm for a drill. I felt a delicious thrill of knowing when our eyes met, yet still the shrill bell grabbed at my heart as we filed outdoors.
I grieve for a world with shooter-in-the school drills, where hundreds of children in Nigerian schools are kidnapped, where I worry that my beautiful granddaughters aren’t safe. Where rampages in schools and colleges and shopping malls are starting to meld into an eerie, familiar sameness.
Some days the madness that has stained and spread across this country seems so crippling and unassailable. Some days every child in this country seems much too fragile. Some days I can hardly focus because a rage burns in me; a terrible heat that needs to be quenched. When my breath is a prayer that somehow sanity will prevail. That laws will change. That background checks will actually work and gun buying loopholes closed.
Which is when I remember lines from Macbeth, “Give sorrow words; the grief that does not speak whispers the o’erfraught heart and bids it break. ” I took this advice too often back in my teens and twenties. I nursed my heartaches on the page singing along to achy laments by Linda Ronstadt and Bonnie Raitt, playing the saddest songs over and over. Too much heartache, too little laughter showed up on in my journal entries and poems for years. My sorrows were my world, a small, tight place. Now my sorrows have so much more scope, take in so much beauty and danger that I feel made of glass at times.
But I’m a writer, you’re a writer. Give sorrow words.
Keep writing, keep dreaming, have heart
June
Last night we were eating dinner in the back yard. Birds were darting in to the feeders, down the block someone was practicing on an electric guitar, and the air was soft as velvet. Although it’s still not summer, it feels likes it. The roses are abloom all over town and the greens have deepened to a summertime hue.
In the midst of all this wonder it’s a good time to review your writing goals. I know I am, aware that time is not forgiving. But there is still time in the calendar months ahead for big, messy dreams. For manuscripts to be completed, plans drawn for revision, contacts made.
Before the sweetness of the season nudges you out of doors, before the honeyed afternoons call, make your plans. Schedule writing sessions in your calendar. Carry notebooks everywhere. Collect the scents and glories of the season. Search for colors and coax out the ghostlike ideas and images that nag at you.
I’m speaking at the June 3 Willamette Writers meeting, Portland
I’ll be speaking at the monthly meeting of the Willamette Writers on Tuesday, June 3.  Doors open at 6:30 and I’ll 
start yakking around 7:00.  Free to members, $5 for nonmembers.
My topic: Risky Business or how to create compelling, larger-than-life surrogate warriors, bad ass anti-heroes, believable antagonists, and quirky, memorable cast members for your story.
Quick Take: Climax = Convergence
The climax in fiction is the mountain top, the battle, the declaration of love—where the story has been heading 
all along, when the protagonist’s goal is achieved or denied, and the future is established. The major problem in the story is resolved and the scene contains intense emotions. It’s also the final turning point and can contain a revelation, a victory, a loss, a realization, an exposé. The foundation for the climax has been laid all through the story and the story question, established in the inciting incident, is answered in an unexpected way.
• In the film Titanic, Rose escapes her old life and takes a chance with Jack and the other passengers in steerage.
• In the film The King’s Speech King George IV gives an important speech about England’s involvement in the coming war as Logue coaches him from the sidelines.
• In The Shawshank Redemption Andy Dupree escapes from the prison.
Every story is made up of both a protagonist’s internal and external conflict. The inciting incident throw the protagonist off balance, upsets his inner world. His or her internal conflict stands in the way of resolving the story question and problem. In the climax these forces converge and the protagonist is revealed under the harshest light because it’s the toughest test.
• Rose resolves her loyalty to her family versus her need for an authentic life.
• King George IV decides to trust a commoner who knows him better than authorities around him.
• Andy realizes that the corrupt warden values his services too much to allow justice in his case.
This convergence is always highlighted in romance plots when the couple overcomes their inner conflicts to face a new world together. There is always only way forward once the inner conflict is resolved. Plan for this convergence when you start writing your novel.
A Room with a View or Not?
I’m inspired by the solace of nature, particularly the Pacific or a dense forest, sun dappling golden on the branches. Then again the lullaby burbling of a creek or river is my ideal soundtrack as I write.
Annie Dillard in The Writing Life advises: “Appealing workplaces are to be avoided. One wants a room with no view so memory can dance with imagination in the dark.”
On beginning
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get
 into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”- Ira Glass
Thought for the day:
One of the greatest things drama can do, at its best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer. ~ Ben Kingsley
Reminder: Deadline to register for Summer in Words lodging is May 19
Jay and I just spent a weekend at the Hallmark Inn at Cannon Beach. We chose the Hallmark for the weekend and as the location for the Summer in Word conference because it offers beautiful, comfortable rooms overlooking Haystack Rock and the ever-changing Pacific. On Friday night we watched the sun drift downward in ever-changing hues and Saturday night it was a storm watch with waves whipping into white froth and shades of steel decorating ocean and sky. We also appreciate the staff for their general pleasantness and how they’re able to help with small details.
So here’s the deal: If you stay at the conference you’ll receive a discounted rate for your room. This rate is especially appreciated because the Hallmark has recently been remodeled and updated. After May 19th the rooms will be available to their customers. Since it’s the 5oth anniversary of the Sandcastle Contest it’s doubtful there will be any vacancies available for the weekend.
Which brings me to the dates: June 19-22. Join us.
Check out the Hallmark here and Summer in Words Writing Conference here.
And contact me with any questions, okay?
Keep dreaming, keep writing, have heart










